some1else45 posts
Posts: 537
Files: 1585
『OMAKASE』#39-2 Timelapse
One point I would particularly like to mention in this drawing is the Liquify tool. It is a very useful tool for transforming characters to match the set perspective after sketching. It allows for faster and cleaner adjustments compared to erasing and redrawing. I recommend you try using it as well.
『OMAKASE』#39-2 Working files
I have completed the drawing step by step, from the initial sketch to the finishing touches. Please check out the file and the timelapse to see the process. I hope it helps!
『OMAKASE』#39-2
Ma....Master? (We are on the way, right??)
『OMAKASE』#39
A random scenario for a film of...
Notice: Goooood news
From May 28, 2024, onwards, all illustrations uploaded to X (Twitter) and Pixiv will also be available on Patreon and Fanbox. Now you can enjoy all of Some1else45's artwork on your preferred platform!
『OMAKASE』#38-2 Timelapse
When I get stuck while drawing, I make sure to research thoroughly. For instance, in this picture, accurately depicting the anatomy of Nahia-chan's knees could make the drawing even more captivating. Moreover, by referring to materials about backgrounds or objects, your drawing could also capture people's hearts even more. I'll also strive to present even better drawings.
『OMAKASE』#38-2 Working files
This time, I paid a lot of attention to rendering the picture. After lightly sketching the lines inside more than the contours, in the final stage of rendering, I made the lines into the form of surfaces. You can see how I rendered it by checking the layers. I hope this helps.
『OMAKASE』# 38-2
Nahia "Uu..wha.. It's too challenging."Hipa " Count on me, Nahia!"
『OMAKASE』# 38
Hipa "Wha..! It's too high! I'm scary!"Nahia "It's fine, Hipa-chan. Count on me"(Sooo..reliable...)
『OMAKASE』#37-2 Time-lapse
It was a realization of how difficult it is to draw the profile of a person's face. Despite numerous revisions, I couldn't seem to capture the face I was satisfied with, so I spent a lot of time sketching. Afterwards, I focused on depicting only the bright areas and adjusted the brightness of the dark areas similarly. I hope this video proves helpful. (This time, I use only iPad, so the vi...
『OMAKASE』#37-2 Working files
The part I focused on the most in this painting is making the dark areas equally dark. By doing so, I aimed to imply a situation where there is very little light entering the dark areas, making it difficult to distinguish objects. I expected this implication to create a high-contrast effect in the painting. Please note the minimal depiction in the dark colors to suggest the absence of light. I hop...
『OMAKASE』#37-2
Sekoshi "How does it feel? Pretty good, huh?"Hipa "Ah....nghh..."
『OMAKASE』# 37
Sekoshi "How about we do this we haven't done in a while, Hipa-chan?"Hipa "H..hey! What are you talking about?! Hah? Now?!"
『OMAKASE』#36-2 Time-lapse
As always, I proceeded with the rough sketch using an iPad, and coloring was done using Clip Studio. Especially, if you look at the coloring process, you'll notice that as the drawing progresses, the depiction of the areas where I want to guide the viewer's gaze becomes more detailed. I hope the video is helpful.
『OMAKASE』# 36-2 Working files
When I drew this picture, I was mindful of the viewer's perspective. If you look at the attached file, you'll notice that I progressed with the work based on the level of detail in the depiction. Lately, I've been thinking a lot about how changes in the size or extent of depiction can guide the viewer's gaze. If successful, I'll introduce it to you in different ways. I hope thi...
『OMAKASE』#36-2
Hipa "It's time to get dressed to go out. Which one shall I put on?"
『OMAKASE』#36
Hipa "I'd love to! Count me in!"
『OMAKASE』#35-2 Time-lapse
A long long timelapses of rough sketch and coloring.Hope you like them! :)
『OMAKASE』#35-2 Working files
This time, perspective was sacrificed to obtain the desired composition. It was inevitable in order to stabilize the scene with Sekoshi-chan, in an awkward situation and Hipa-chan, gazing at it with a sinister look, in the background. Furthermore, by rotating the screen, I aimed to highlight the subtle allure of the fishnet stockings covering Sekoshi-chan's thighs and maintain the dynamism of ...
『OMAKASE』#35-2
What the hell is this perverted octopus?!
『OMAKASE』#35
Ta-da! What will come out next?😎
『OMAKASE』#34-2 Time-lapse
This time, I focused a lot on the perspective and color scheme of the character. Regarding perspective, drawing a cuboid where the character stands can help blend them well into the background. The process is preserved in layers, so please review it. Additionally, I carefully selected colors for the monochrome areas to enhance the overall color scheme. Since the monochrome areas were mostly close ...
『OMAKASE』#34-2 Working files
This time, I focused a lot on the perspective and color scheme of the character. Regarding perspective, drawing a cuboid where the character stands can help blend them well into the background. The process is preserved in layers, so please review it. Additionally, I carefully selected colors for the monochrome areas to enhance the overall color scheme. Since the monochrome areas were mostly close ...
『OMAKASE』#34-2
Hipa "Hey, do I seem a bit different from usual?"Chaucer "Hey... this is inside the office building... It could be some sort of crime..."
『OMAKASE』#34
Sekoshi " Why did you dress up like this today?"Hipa " Ahg! Don't bother and just leave the lab!"
Nahia getting back home: Timelapses
This drawing is of Nahia-chan getting home, which is scheduled to be uploaded on March 3rd on X. And the attaches are timelapses of rough sketch and coloring. I apologize once again for the missing time-lapse of OMAKASE #33, and hope that this will be helpful to you all.
Nahia getting back home: Working files
This file is a drawing of Nahia-chan back home, which is scheduled to be uploaded on March 3rd on X. I apologize once again for the missing time-lapse of OMAKASE #33, and hope that this illustration file will be helpful to you all.
