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Got To Be This Or That 1945 June Barton, Emil Coleman Orchestra Soundie (Low Res)
🕑 Added 2021-01-29 21:40:49 +0000 UTCmore at http://quickfound.net/
'Emil Coleman and His Orchestra
vocal by June Barton.'
Originally a public domain film from the Library of Congress Prelinger Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied.
The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).
https://en.wikipedia.org/wiki/Soundies
Wikipedia license: http://creativecommons.org/licenses/by-sa/3.0/
Soundies were three-minute American musical films, produced between 1940 and 1947, each containing a song, dance, and/or band or orchestral number. Produced professionally on 35mm black-and-white film, like theatrical motion pictures, they were printed in the more portable and economical 16mm gauge.
The films were shown in a coin-operated "movie jukebox" called the Panoram, manufactured by the Mills Novelty Company of Chicago. Each Panoram housed a 16mm RCA film projector, with eight Soundies films threaded in an endless-loop arrangement. A system of mirrors flashed the image from the lower half of the cabinet onto a front-facing screen in the top half. Each film cost 10 cents to play, and there was no choice of song; the patron saw whatever film was next in the queue. Panorams could be found in public amusement centers, nightclubs, taverns, restaurants, and factory lounges, and the films were changed weekly. The completed Soundies were generally made available within a few weeks of their filming, by the Soundies Distributing Corporation of America.
Several production companies filmed the Soundies shorts in New York, Hollywood, and Chicago: James Roosevelt's Globe Productions (1940–41), Cinemasters (1940–41), Minoco Productions (owned by Mills Novelty, 1941–43), RCM Productions (1941–46), LOL Productions (1943), Glamourettes (1943), Filmcraft Productions (1943–46), and Alexander Productions (1946). The performers would record the music in advance, and mime to the soundtrack during filming.
The movie-jukebox idea spawned several imitations and variations of the technical design; the most successful of these imitators were the Techniprocess company (led by Rudy Vallee) and the Featurettes company, which used original novelty songs and usually unknown talent (17-year-old Gwen Verdon appears in a couple of the Featurettes, as "Gwen Verdun"). As Soundies quickly became the market leader for jukebox films, the other companies disbanded, and some sold their films to the Soundies concern...
The Soundies were a runaway success during its first year, making millions of dollars (in dimes). In the days before television, the concept of seeing as well as hearing musical artists was very attractive. The company was headed for even more success when World War II intervened, and the federal government restricted the use of rubber and precious metals. This meant that Mills Novelty could no longer build and sell Panoram machines, and had to confine its activities to keeping the existing projectors supplied with films. The Soundies Distributing Corporation of America remained active until 1947. With commercial television just around the corner, the Soundies machines and films became obsolete. The library of 1,800 Soundies films was sold to home-movie companies Castle Films and Official Films, then to syndicated television, and ultimately to home video (via England's Charly Records)...
