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Romantic Dreams pt. II | Mirriam Amber
🕑 Added 2025-03-10 09:00:13 +0000 UTCHopefully you've already checked out the beautiful and experimental PREMIUM EXCLUSIVE nude shoot I released 14-days ago, with this beauty, Mirriam? - If not; WHAT ON EARTH ARE YOU WAITING FOR???!!! π€―π₯΅
It included a lenghty explanation of how the setup was and what techniques we used, so if you're interested in betting behind the scenes, you should go have a look. π€
Last time I posted something with this foreign beauty, Mirriam, it was a minor video we shot, the same day we did this fashion inspired setup. ππ₯
That was something we planned because we wanted to go in a different direction than our first meeting, which was a shoot for M! Magazine - and now on todays post, it's the exact same story; We wanted to move in yet ANOTHER direction and try something new, we previously didn't do. πͺπ»π₯³
Technically it's once again a shoot in studio, but we did tons of things differently. π
HERE'S SOME MINOR INSIGHTS FOR BASIC PATRONS TOO..
The setup was mobile. A studio, but mobile.
We decided to do it at Mirriams place eventhou I knew it had limited space available for me to work with.
I brought along my mobile studio, which consist of a Manfrotto Standbag with 3x Manfrotto Compact Stand to create some sort of 'frame' for the shoot. Instead of a normal 2.75m backdrop I usually go with, I decided to carry along a huge piece of filt-carpet, measuring like 3x3 m or so.
The reason why I went with this, was because I knew that there wasn't too much space to work with and while I knew we were gonna work with minimum one flash, I needed something which didn't reflect too much light. π
If you look at the screenshot below, you can see the filt-carpet.
Upon that I placed a sheet of transparrent plastic which both could act as a backdrop (PART TWO of the series), but at the same time Mirriam could be behind it and use it as a "cover" / effect and go nude (PART ONE of the series). πππ»
(Above; A photo showing the basic setup which we then manipulated in various ways, to create specific atmospheres and varying the look and feel)
By combining an Elinchrom RX500 flash with a Nanlite Pavotube RX II, you get this fine balance fill- and key light, because it can be hard to see what's what. π Most people will argue that the Elinchrom is the key light, but since it's static and placed the same place all the time, I would argue that the Pavotube in fact actually is the key light and the most important part of the light setup. ππ€·π»ββοΈ
On wednesday there's a lengthy behind the scenes-video released, for PREMIUM patrons, so look forward to that if you're interessted in getting much more backstage insights. π€
Furthermore, we once again recorded some minor video clips from the second part of this shoot and it was our intension to release it either as a reel or something creative, in the near future. ππ₯
As always: Please feel free to ask away about whatever you want to know about this shoot! βΊοΈ Technical stuff, practical stuff, tips or tricks - or simply just let me know what you think. π₯³ππ»
Comments
Mikkel Laumann
Hvor er det fedt at hΓΈre, SΓΈren. βΊοΈππ» TAK! Har du set fΓΈrste del ogsΓ₯, da den er en del anderledes og lidt mere fancy? π π€·π»ββοΈ
SΓΈren Nielsen
Flotte billeder af og med en virkelig skΓΈn kvinde π₯π€π₯°. Virkeligt flot arbejde πͺπͺ
