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#116b - THE MOUSE BETRAYS: A Subliminal History of Disney, Part II
🕑 Added 2022-06-01 18:10:15 +0000 UTCDimitri and Khalid continue their exploration into the darkest aspects of the Magick Kingdom, including: Disney’s cartoons-as-conceptual homunculus, the absence of explicit religion in Disney movies, worshipping the three-ring icon of Mickey’s head, using Stravinsky’s Rite of Spring (virgin sacrifice) in Fantasia, Walt’s creation of Mickey as revenge for the theft of Oswald, the HOTGAF origins of the American film industry, Thomas Edison’s early Anglo-Saxon monopoly over cinema, sending goon squads after the Jewish nickelodeon producers on the Lower East Side and forcing them to flee to California, Hollywood films eclipsing Edison’s “esoteric, non-narrative” arthouse films, Edison weaponizing moral outrage to sabotage his (((rivals))), the original #MeToo era of early 1920s Hollywood, the Fatty Arbuckle scandal, the dawn of the Hays Code, Charlie Chaplin decrying “Presbyterian censorship”, the deep crypto-Nazi cult ethos of Disney, EPCOT as the fascist dream city of tomorrow, sus Freudian themes in Pinocchio, the Homo(nculus) Disneyus in the Metaverse, the Saudi Princess who tortured a servant at Disneyworld in the 90s, Disneyworld’s pedophile/peeping tom problems, ritualistic “sphincter viewing” abuse at Mickey’s Firehouse, promoting satanism and juggaloism with Hollywood Records, hiring convicted pedophile Victor Salva to make “Powder”, and blatantly ripping off Japanese manga “Kimba The White Lion” to make “The Lion King”.
